Riding the Emotional Waves of TXT's 'Tomorrow': Echoes of the Past and Future

Ever wondered how a single album can encapsulate the whirlwind of emotions we experience on the rollercoaster of life? Sarah and DJ Panic unravel the magic of TOMORROW X TOGETHER's (TXT) latest EP, zeroing in on tracks that stirred our souls and made us dance with joy. We kick off with our personal picks, including the heart-thumping 'The Killer (I Belong to You)' and the evocative 'I'll See You There Tomorrow', before delving into the lead track 'Deja Vu' and its sublime remix. Our conversation isn't just about the beats; it's a deep exploration into the album's ability to mirror the ethereal charm of déjà vu and the collective power of music to foster hope and resilience.

The heart of our episode beats to the rhythm of emotions, where music transcends just sound and becomes a vessel for 'anemoia'—connecting us through a shared sense of the unknown familiar. We analyze the uplifting 'La La's' and the emotional rollercoaster that is 'Miracle', peeling back the layers to reveal the messages of togetherness that resonate throughout the album. It's a candid reflection on how these tracks not only bind us in shared experience but also underscore the significance of fan diversity and the undeniable impact streaming numbers have on the journey to chart success.

We close our musical odyssey with a nod to the club anthems that have us reminiscing and dancing with abandon. There's a song that’s become a personal anthem, a tune that encapsulates the nostalgia of a bygone era yet feels fresh and invigorating. We chat about the potential remixes and discuss how the music of TXT can evoke a sense of anemoia, taking us back in time or propelling us into the future. Join us as we celebrate the sweet vocal deliveries, Caribbean influences, and the many ways music touches our lives, all without a single guest—because sometimes, the music alone is the only companion you need.

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Transcript

Speaker 1 0:21

Welcome everybody to another episode of Music Elixir, with me, sarah and DJ Panic, as always, right, who else would be?

Speaker 2 0:29

here. I don't know, maybe your sister will be like she probably won't. She'll probably be like hi no, sarah, you do all the talking.

Speaker 1 0:43

She'll be like in the background no, no, don't, don't make me talk, yeah have the.

Speaker 2 0:50

Have your cats talk we haven't talked before. You know you hear him in the background. I'm missing to be in the podcast all right.

Speaker 1 1:06

Well, we're not here to talk about my sister or the cats no you want to introduce who we're talking about today?

Speaker 2 1:12

oh, yes, so this is this group is not the first time that we have talked about them no, and this is tomorrow by together, also known as txt. They have dropped a ep on april 1st, april fools, uh, so it's mini. So third tomorrow, uh, but just you know it's the can sequence of the other albums that they're doing. You know they're doing like a mini series of you know things, but, um, always with a positive vibe. Then you know, message good message?

Speaker 2 1:46

yes, definitely um, I was telling you, I like I have two favorites. Yeah, do you have any favorites?

Speaker 1 1:55

I do one in particular. Okay, what is your particular fave? The killer, ah, me too. In quotes I mean in uh parentheses, I belong to you.

Speaker 2 2:08

I really like that one okay, so my faves is uh, I'll see you there tomorrow.

Speaker 1 2:16

And the killer okay, yeah, actually I did like I'll see you there tomorrow too, for a very particular reason so do you want to talk about their leading track?

Speaker 2 2:30

we want to start with that one, sure, which also has a remix in that one. So let actually let's talk about that one, because we have the original version and then the remix, right? Yeah, so anamoya so from the two my, the one that I vibe the most is the remix.

Speaker 1 2:49

Me too, you too, okay yeah, when, when I was like which one are we gonna? Because I mean it's the same song and it actually what I noticed. For the most part, a lot of it is the same, yes, as far as except at the opening and some of the, you know, musicality in the middle is a little bit different. But I think what sets it apart is the um, that acoustic guitar opening, yes, and then it gets sort of really like heavy synth and just sort of a more more aggressive sound, not in a bad way, just it's a little stronger, more angsty.

Speaker 2 3:28

I was looking at more.

Speaker 1 3:29

It has more angst yeah it was more rocking than the the original version and what's funny, though, is one of our previous talks you had been like well, on spotify, this is the most. The most popular one is actually the standard version of Deja. Vu. I was like why don't people like remixes?

Speaker 2 3:48

No, but I know what they're trying to do. You know the one I get. This is the leading track. So they really just want to get the leading track on the charts because it's the leading track, oh yeah. But I mean, if you take, if you take, I would just want, would like to do. Well, I would like to know from the fans, if that was not the leading track, which was which would be their favorite from this album?

Speaker 1 4:17

Would they have actually favored something else? Because, like, as far as how many times it's been listened to, it's almost three times higher than any other song. Yeah, but again, as fans that we are and they're still- this is the leading track for the album blah blah blah.

Speaker 2 4:36

Of course you're going to be charting the leading tracks because you want to get your fave in the charts so they can get awards and whatnot. So that's why. So I really don't go with that. No, no, no, I'm going to be dismissing that because he's the leading track. So if we dismiss that, the most heavily listened to will be I'll see you there tomorrow. Yes, which I will be like yeah.

Speaker 1 5:08

I'd have still gone with the kill. Okay, I think that one, I like that one, that that's the absolute most, that's like these most, second, heaviest like listen to.

Speaker 2 5:16

So it's like, yeah, those two tracks, yeah, yeah, is it's a total different, but we can talk about that later. We want to talk about the ones that we didn't vibe as much. I didn't vibe as much. I mean that job was like yeah, but I deal. I do like the remix better than actual original track. Yeah, uh, but yeah, has that angstiness, uh, more rocking. It has a bit of emo vibes to it too. Yes, you know which we like emo so I was like yeah, this is like. Yeah, I like this you know.

Speaker 1 5:52

But what I like is with the remix they still keep that sort of like ethereal sound. You know what I mean going on. So it does sort of invoke that feeling of deja vu, like anyone who's experienced it yeah, oh, we always do, I know. It's apparently not very common though, just so you know, and doctors say you're problematic if you do feel like you experience deja vu a lot.

Speaker 2 6:20

I was like really no, that's just parallel universes that we live in, and sometimes we jump into one another.

Speaker 1 6:27

Here we go then, it's like yeah, you're the lulu lady, yep, you cray, cray, but yeah yeah, so anyways, it sort of gives that sort of like dream state effect yeah of when you have deja vu, you do sort of get a little like whoa, you know Twilight Zone, what just happened?

Speaker 2 6:46

So it's I've been here before. This has happened before. Yeah, so the song. Do you think that I have been here before? It has happened before. Am I trying to stop the ending of what was the outcome before?

Speaker 1 7:02

You know? Yeah, see, it depends. You know, there's sort of levels of having deja vu, you know what I mean. Like there's the things where you're just like, oh, I I've been here before, but I haven't, you know, you just recognize something. And then there's feelings like, oh, I've had this, you know experience before, which is a little more jarring, because you're like, uh, you know what I mean, and a lot of times you don't actually know the resolution, you just have a feeling and you're like oh okay, this isn't so comfortable the second time around.

Analyzing the Music

Speaker 2 7:40

For me, the vibe is like yes, I have done this or seen this before. Um, since I know the outcome, I'm going to change the outcome of it, kind of like you know you're going back. It's like going back to the past and if you change that one thing, it's going to change your future. So, since they are all about positive vibes, maybe they just because they're experiencing something that it was tragic before or it had you know a negative, you know outcome, so they're just trying oh, it's happening again, let me rectify so it can have a positive outcome that's how we have the, you know, the la la's, you know which is so like happy, yeah, so it's like yeah, oh my god, or like yeah, or or just I'm gonna roll with it la, la la la.

Speaker 1 8:29

You know, it is what it is. But what's weird is because the um animoya is actually it's sort of like deja vu, only it's deja vu about something you don't actually know. And the reason deja vu it's because it's familiar, something's familiar, and that's why and the animoya is more of a like I've never experienced this, but I want to, like I, I feel like I should experience. It's weird, it's so. I was like it's sort of strange how they put it together, because it is a feeling of deja vu but it's about something you have no actual recollections of. Like usually the deja vu is because you're like oh, it's familiar, oh, I know this feeling, oh, whatever.

Speaker 1 9:17

So it's interesting that they throw that word in there because it makes it a little more like I haven't experienced this. And I want to Right that they throw that word in there because it makes it. It makes it a little more like I haven't experienced this and I want to right and I, I feel the need to experience this and, yeah, I, it's hard to explain. Yeah, because they do work together. Yeah, just not in the way that we think of typical deja vu.

Speaker 1 9:42

You know what I'm saying so, but yeah, it's I. I liked that. Um, it's just, the music itself really did bring about that whole sense of like things. You know that sort of weird feeling you get of oh, I've heard this or seen this or felt this before it's the music really did sort of capture that, and that's really what's cool about this song and, as we said, we we like the, the remix, just because it's a little heavier, it's a little stronger with those emotions.

Speaker 1 10:18

So you, know, hey, make up your own mind. Listen to both of them and it's weird because you do, you listen to it and you're like the only way I could be sure was that opening guitar work right, I was like okay, this is the remix because, like I said, sort of in the middle, the sound is is the same, it's some of those guitar sounds and a couple of the you know synth. Things come in a little stronger, but it has the same flow and the same sort of feel about it next one.

Speaker 2 10:50

Do you want to talk about miracle or a quarter life? Yeah, that's a good question well, okay, let me start with miracle.

Speaker 1 11:00

Okay, we order yeah, okay, yeah, that works well, not really order, no, well, kind of in order so um this one surprised me because it's named miracle.

Speaker 2 11:16

I mean, it's called miracle starts kind of like churchy, feel, you know, like uh, you know that organ was the sound and the way it sounded it was like, oh, there's gonna be a little bit more gospel, but then it just doesn't it just deceives me because it's just, it completely changes into this like pop rock right I was like oh okay, uh, all right.

Speaker 2 11:41

Yeah, going back to the rocking fields, you know it's, it was another uplifting one. I I mean I've been seeing that on a lot of these tracks have that positive vibes on it. You know, I don't have much to talk about it though, because I kind of blended for some reason for me, so what?

Speaker 1 12:02

yeah, what did you feel about?

Speaker 1 12:03

that I was gonna I, I get what you're saying. Like every time it started I was like which one? Is this again right? Because, yeah, it starts out sort of slow and steady but then about 40 seconds in it just bursts open and becomes like a solid pop song. You know, I mean you're like, oh, all right, they're right. They go back and forth with that gentle sound and then a little more intense pop sound. So that's sort of.

Speaker 1 12:34

What I did notice is, once I was listening and focused on it is it sort of gave me a sense of like being being resigned to how things are going to go. So, based on miracle being the title, I sort of had this feeling of like you know, everything, every day is worth living, everything, every goal is worth going for. So you just this, this back and forth of the. The sound is sort of your emotions of like, oh, do I want to do this? Well, I'll just do it. And, and that's sort of the.

Speaker 1 13:06

The sound is sort of your emotions of like, oh, do I want to do this? Well, I'll just do it. And and that's sort of the miracle of of life is that you just sometimes you have to take a chance and things can work out great and wonderful for you and sometimes they don't, you know. But there was one English line it's nothing without you which I think sort of is saying like we can't get through it alone Got it. You know, part of the miracle of everything working out and being the way you want it is working with other people, having someone else in your life being a part of that. So I liked that, that that line, because it was sort of like that's what miracles are right it's an outside force, something else helping make it happen.

Speaker 1 13:55

So it was just, you know, it was a gentle feeling, yeah, and it was a positive. I felt that it seemed like a positive message. Yeah, you know what I mean?

Speaker 2 14:06

yeah, the whole the whole album is positive.

Speaker 1 14:08

Yeah, they all have, and actually four of the guys helped write this song, so, oh, that's awesome. So they actually actively worked on this one I've got to check the credits.

Speaker 2 14:19

I usually like to do so because you know I'll be like hey, our faves are getting paid you know, yep. Well, four of them are getting paid yay and this, I mean this is one thing that big hit likes to put in them like what would you? They want them to be creative, to put, you know the words into their music you know, not just only them, helping them produce and whatever you know they, they want them to. This is your creation, this is you actively participate?

Speaker 1 14:49

in your, your success, yeah, so so yay for the guys, yeah so I yeah, I don't have much to say about miracle, unfortunately.

Speaker 2 15:01

Well, it's just not. Unfortunately, it's just I was not vibing it as I felt for this week. This week has been cray, cray, jeez. So, yeah, the same feeling that I'm having for Miracle, I'm having it also with Quarter Life. Though Sarah's looking at me like am I going to be doing all the talking, I'm like unfortunately, unfortunately, I don't know why they and then they both sounded the same. So I was like what is this one?

Speaker 1 15:30

well, that's what that's what I mean. I had to like check and be like which one am I hearing? And it's not even that they really sound the same. No, it's just they're not um as vivid and stand out as a couple of the other songs exactly.

Speaker 2 15:44

There weren't um elements of it musically that I will be that will catch, will be like, okay, this is quarter life or this is miracle. They kind of blend to like one song.

Speaker 1 15:57

Yeah, well, this one it did stand out a little bit more because, again, this one, it starts, sort the music is sort of reflective, like you're thinking about stuff and they say in English I ain't happy at all. But then another one where around 40 seconds in it becomes it's sort of like an anthem. It's really very strong and powerful. The way it comes in. It gets angsty, yeah, right. And then they say, won't, say I messed it up. So this one.

Speaker 1 16:33

And then, of course, saying quarter life crisis in the title Right, this is obviously young men who are thinking about their life, right, you know, and we have midlife crisis. People always talk about midlife crisis, you know, when you 45 to 55 age, people where you start questioning everything. So it's funny, like in your early 20s you do and nobody ever really thinks about that, but you are questioning everything about your life, yeah, so that's why I think this is sort of anthem for them, because they're like here we are, early 20s, where are we going? What are we going to do? Is this what we want to do with our life? Is this the direction? So I'm not happy at all. And then to say, well, I'm not going to say I messed up because yeah, because I'm a stubborn early 20s and I know everything exactly.

Speaker 2 17:27

So yeah, so this is the woes like what a life crisis. Yeah, so I mean yeah, it's just.

Speaker 1 17:41

I think sort of the, the whole idea of I'm lost, but I'm not gonna say I'm lost, I, I'm lost, but I'm not going to say I'm lost. I'm confused, but I'm not going to admit. I'm confused, you know. So I think it's just sort of like going to get through this queer life crisis, and all I can say, boys, is just wait till you hit the midlife crisis.

Speaker 2 18:00

I know let's see if they can continue singing and they sing about midlife crisis.

Speaker 1 18:05

That'll be their 25th anniversary album. They'll have midlife crisis on there.

Speaker 2 18:12

Oh my God, that'll be awesome. Let's see if it happens. Oh man.

Speaker 1 18:19

Yeah, okay, but yeah, and and this one, just so everybody knows, is another one. Two of the guys helped write Yay, so, yeah, okay, but yeah, and this one, just so everybody knows, is another one. Two of the guys helped write Yay, so, yeah, okay, one of them being one of the younger members. So I'm like, really, you're already going through a crisis. Oh you, poor thing.

Vibing to Upbeat Club Anthems

Speaker 2 18:38

I know that's what the entertainment industry does to you. It makes you age quick, oh yes, oh, man, anyways. Industry does to you. Yeah, it makes you age quick, oh yes, so, man, anyways. So since your fave is and my fave is also killer, you want to leave it to last. Sure, I'm gonna talk about I'll see you there tomorrow. I love this song. I kept it on repeat for way too long so that's why I'm like I gotta listen to the whole album because there's other music here, but this is like one of my favorites.

Speaker 2 19:11

Uh, it's just again another one with upbeat, positive vibes. Club anthem oh, oh my god, this one. You know I dance a lot to this song. Yes, every time they came out I was wiggling I, I was doing something, I was moving my hands.

Speaker 1 19:25

I was just doing something.

Speaker 2 19:27

I will just stop and do the you know whatever.

Speaker 1 19:31

So every time that little beat comes up, I'm like just giving some sass.

Speaker 2 19:38

I wonder if people ever saw me. They're like what is she doing?

Speaker 2 19:42

But I can see DJs using this song definitely and remixing it differently, and on their voices were so cool I'm just like I'm getting goosebumps because I can hear it, because that's how much I I vibe with this song and, of course, you know there'll be no, uh, no, sorrow, I'll be there tomorrow. I'm like, yes, I needed that. You know, I needed that song. That's why I'm vibing this one so much, because I really needed to hear that there will be no sorrow, I'll be there tomorrow.

Speaker 1 20:15

So I thought they were saying I'll see you there tomorrow. I'll see you there tomorrow, yes okay yeah, that definitely makes it even more positive, because you're like oh yeah, awesome, you know.

Speaker 2 20:24

so where are you? It's tomorrow. You're more positive, because you're like oh yeah, awesome, you know, where are you, it's tomorrow, you're not here.

Speaker 1 20:33

So you're going to hang out with someone. Maybe they were suffering from deja vu. Oh, actually that goes with the Anamoya. I'll see you there tomorrow Experiencing it even though you haven't experienced it. Oh interesting, there we go. There you go. Look at me connecting the dots. Ding, there you go. A little slow on the uptake. I guess All the fans probably had this figured out ages ago, right?

Speaker 2 21:03

And I'm like Then the two of us get together and we're like, oh yeah, well see that's what happens when you have a conversation about things.

Speaker 1 21:11

You're like, oh hey, but yeah. So I'm sorry, I didn't mean to interrupt you.

Speaker 1 21:15

No that's it. Oh, okay, how about you? Well, I definitely. This is dance, disco, funk vibes going on. It was so like early 90s club music. It made me think of sort of a slightly watered down cc music factory. Yeah, and delight, yeah, because it wasn't. It wasn't quite as musically like, it wasn't as fast and as clubby as those older songs, but it is still club like. You can definitely dance to this, definitely have a good time. Oh, yeah, I love that organ sound. Yeah, like because it is. It's an organ, it's not like so it makes you happy, it just it's fun, you know, yeah, the happy organ.

Speaker 2 22:05

Exactly Every time I heard it, I'm like eee, it just makes me wiggle.

Speaker 1 22:10

Yes, exactly, and it was just yeah. The whole thing made me feel good, because the idea of yeah, don't worry, no more sorrow, we're getting together tomorrow, going to have a good time, everything is positive outlook, and just yeah, yeah, have a good time. Everything is positive outlook, and and just yeah, yeah. So I think those were, those are the only words actually that stick out in my head too. Yeah, I know they must have said a few other english words, but they did. But that's the one that the chorus, the verse the chorus.

Speaker 2 22:38

That's the hook, that's what exactly I even I was even trying to speak the korean one and I was like, who am I kidding? I will never say that correctly. I'll just say the English part. Yeah, because the last chorus is like in Korean and then English. So I'm like, no, it's okay, we'll be trying to say that. I'm already having issues talking about it in. Japanese.

Speaker 1 23:03

We'll try Korean. I'm laughing too much. I'm crying. I see that, and I'm already having issues talking about it in Japanese. We'll try Korean. I'm laughing too much, I'm crying.

Speaker 2 23:06

I see that and I'm like, oh no, no, I'm getting teary-eyed.

Speaker 1 23:10

No, no, no, no, it's because I'm laughing so much at us and how crazy sometimes we are. Yeah or I guess I shouldn't use that word how outrageous and wild our theories and whatnot are yes, wild. Yes, our theories and whatnot are yes. So yeah, this one definitely, if if you like the 90s club sound. This is the song for you. Yes, you won't sit. Still, you can't sit no, I can't.

Speaker 2 23:36

When I hear it I'm like, yeah, I can, what? All right? So let's go with our other fave the killer.

Speaker 1 23:54

I belong to you oh, that was nice.

Speaker 2 24:02

I'm like oh, hello, where are you bringing this, you know, and the whole thing. Oh, it's so dreamy. I love that guitar, very smooth guitar and just a beat, very caribbean we're talking, you know the. Oh, it's not samba, it's um. Oh, my goodness, I had it in on top of my tongue, on tip of my tongue, um, but yeah, it's very like Caribbean. I can feel Jamaica, I can think Puerto Rico, yeah, that's right.

Speaker 1 24:37

I was like Cuba Right. I thought Cuba Very, very like Spanish.

Speaker 2 24:43

Latin Caribbean vibe, the chorus with the. I'm like, oh my God, it has a lot of Afrobeat roots, you know, oh, it was a very lovely song, very sweet. Come on. Their delivery was so sweet. I'm saying sweet because these are kids. These aren't my children too, these are children yes, they are. They're younger than most of the children they're considered to be, you know, bts younger brothers. So you know they're 21 to 24 exactly these are babies, these are kids, these are children for me, so that's why they're like very sweet, very nice.

Speaker 2 25:26

You know, I wish somebody your hyungs will be singing this, not you, you know yeah, I want to feel creepy. But anyways, now this is a very sweet song, very loving, very. Stop it. Stop it, sarah, stop it, or me sweet.

Speaker 1 25:48

It's very caring and endearing saying the killer I belong to you is sweet. Yes, it's sweet, I don't know about that.

Speaker 2 25:59

It's sweet. Stop it. Anyway, we don't want to get into trouble, but I love this song. There's another one that's like. It's very soothing. Yes, very soothing. This one came on, so I'm like, yeah, it's great for a day after work. You know, just crank that one up just to like calm you down oh yeah, lol me love it, just love it yes, definitely that's what I'm gonna say now you go all right.

Speaker 1 26:32

Well, I agree, I agree, like I said, the the sort of latin caribbean. I don't know why, but I was like, oh, this is like Cuban, I don't know. They've got that like the rim tap going on, like like heart palpitations. They've got sort of it's almost an anxious vibe, but not really the way that it's sort of stilted, you know quick and and short, and then you know like like they really need to talk to you now. This is someone gearing up to do something. But then the guitar comes in and it's kind of flirty. I I really I found my shoulders sort of like just moving back and forth as I was, you know, hearing the guitar happen. I'm like, oh, it's so flirty. Yeah, it's like teasing me. Yeah, that's why I'm like this is not a sweet.

Speaker 2 27:25

No, that's what I'm saying Because I don't want to say anything but like, yeah, I don't know.

Speaker 1 27:37

So the whole thing sort of feels like like flirty, anxious, but trying to keep your cool, and I don't know they're singing about champagne.

Speaker 2 27:42

I know it gets very suave at one point that you just like.

Speaker 1 27:47

And how about this line you know I want you bad, show me mercy, yeah, yeah, that ain't. That ain't sweet, it's sweet. And the uh, you're the only one I want. And did you hear them? Towards the end, they say te quiero, yes. So they throw some spanish in there. So we got the right vibe.

Speaker 2 28:06

I think, yeah, from what they were getting in the whole caribbean hotness which I know very well, familiar with growing up in Puerto Rico, which you know. That's why I'm hearing that and I'm like, oh, cheers, here we go, yeah, here we go. Deja vu, I know right, because it sounds very familiar.

Speaker 1 28:29

I lived there before, yes, but so this one to me it's sort of like this is an intense, intense love. Let's just young love.

Speaker 2 28:41

Well, I don't know if you said it, but there was a one point. They're like more champagne.

Speaker 1 28:46

I'm like what?

Speaker 2 28:47

Yeah, exactly, I was like what I'm like? I don't want to look up the lyrics to this.

Speaker 1 28:54

No Well, I was wondering if they're saying it's like champagne, this effervescent feeling I hope so Tickling through your body when you're excited about seeing somebody when you're experiencing love? I don't know.

Speaker 2 29:08

So anyways, like I said, Like I said, I'm not looking at the lyrics, like we did for another song that we're like oh my God, no, no.

Speaker 1 29:17

Those were the lines I was reading, were the ones I heard in english and spanish. Yes, and recognized. So, like I said, I got this sort of intense love and desire thing and like no matter what I belong to you, you can say you don't care, we can be wherever I belong to you and that's how he they feel you're the belong to you and that's how he they feel You're the owner of my heart and that's bang.

Appreciating Art and Music Discussions

Speaker 1 29:41

That's it, my heart and soul. You got me. I like that. Also, the background vocals, yeah, you know Well, and that's another thing I liked. There's very you know I forgot to mention it in going back to, to deja vu the way they did the, the echo. They sort of they sang something and then there was an echo of it, like a sort of more dreamy sound. They, they're very good at that. Like the you start, I'll finish the, the sound back and forth. So it was really they're very good at what they do. These guys are actually this was another one. A couple of them have writing credits on it. So some of these boys are definitely feeling some intense emotions. Well, during that age.

Speaker 2 30:30

Now, Yep, you know it's like the prowl yeah, definitely the prowl yeah.

Speaker 1 30:36

Definitely.

Speaker 2 30:37

The prowl and Finn's like yeah, I'm like hmm. Been there before. Deja vu, Yep.

Speaker 1 30:47

So they just so, when they're doing the, the killa killa, killa, they're doing that echoing thing again.

Speaker 1 30:54

So it's just something they do very well and they do it throughout this album. So, yeah, again it sort of leads back to that whole deja vu thing and the whole yeah, wow, yeah, it's. So it is actually like a complete album and a complete thought, yeah, process. Yes, it's not till we're talking about like we can listen to it and take our notes, but there's some things until you're talking that like don't occur to me, just listening to it on my own. And again, that's why this is a conversation and everybody else, you may have your own opinions, you can sound them off.

Speaker 2 31:30

Everybody's going to always have their own opinion.

Speaker 1 31:33

You can abide the same as we do you know which is fine?

Speaker 2 31:37

you know that's, that's, that's what music does to you, that's what art does to you you know, you. So same thing with a. You know I pick. You know a picture, you know a painting and or an actual photography. You know it will evoke an emotion, but maybe the next person is will not be the same.

Speaker 1 31:55

You know, oh, they will see something that you're not seeing exactly so it's the same thing over here.

Speaker 2 32:01

You know I sometimes I feel like why are you getting angry of what I said? You know who me? No, no like when people get no, I know what you're saying into these like little arguments.

Speaker 2 32:18

Like well, no, it's supposed to be this way, it's not supposed to be. Whatever way you're saying it's supposed to be what you interpret, I interpret. You know, there's some songs that I listen to that I vibe a lot, and Sarah vibes a lot too. But then we get together it's like, well, I'm hearing this and then you're hearing something different. You know, yeah, but I mean we're not gonna be like on each other's throat because it's like, no, it has to be what I said.

Speaker 2 32:43

you know the same thing we said well, no, it's supposed to be this way now the only thing that will get into arguments is like, well, this is supposed to be blah blah and you're like, no, this sounds like blah blah. We did get into an argument with that until we saw them sing on stage and I'm like I told you.

Speaker 2 33:04

So I'm not saying the name of the group, let's talk about that later I I know you're, I know rachel's like what sounds like you, like you and Amy when you're in Newcastle, and Rachel's like I'm in the middle of this. Again, it sounds like deja vu. It sounds the same for Rachel. But yeah, I get not frustrated, but I sometimes laugh about it and sometimes I'm like, oh my god, please, people, when I see fans just being on each other's throat because they're talking about their art, the artist and they, there's no feeling the same way. But like anything is their their way that they're saying is correct. Oh no, no, it's not that way. Yeah, no, come on it's subjective.

Speaker 1 33:53

It's, yeah, because the music speaks to you or the art speaks to you, so you get from it what you need at the moment. Yeah, so that's probably why, when you listen, sometimes we don't, we don't agree, but we don't fight about it, because we know, oh, all right, I see why you think that way. I just don't see it that way because that wasn't where I was at the time. Right, you know what I mean. So it's not that I don't see someone else's side. It's simply that I'm like well, okay, I obviously wasn't needing to find that in the art at the moment. Yeah, exactly. So you know what? Like I love Jackson Pollock, the artist. Yeah, my mom can't stand it. She's like it's just a big old mess. I'm like, but it's not so it's, you know, it's just how you feel about it.

Speaker 2 34:48

Exactly what?

Speaker 1 34:48

it invokes in you, and that is what's important. That's what what matters, what you get out of it and what you need to find in it you know, what I mean. So so we can have our little theories and delulu whatever's exactly but, when you listen to it, you're gonna get what you need out of it. You're gonna find the message you want to hear it.

Speaker 2 35:11

It will be great if people can't. You know, don't poo-poo other people's, you know opinions.

Speaker 1 35:15

Oh yeah, no, absolutely, because you know it's like don't poo-poo it.

Speaker 2 35:19

Now. Sometimes Sarah and I will poo-poo each other, which is fine, we're friends, like I'll be like how come you didn't hear this, you know? Or she will get back at me. I was like what, how come you didn you know? But it's we're friends, we know each other, we you know. That's the thing. We know each other's tastes when you're with your friends, it's cool, but when you're with a stranger, no.

Speaker 1 35:42

Yeah, it's their opinion. Yeah, you don't get to dictate how they respond to something. Everybody's just going to remember Kindness, good vibes, positive vibes Exactly.

Speaker 2 35:54

Be good to each other, which all the lyrics on this mini album it has, that it's the positive vibes you know, with different feels, exactly Awesome, all right, all right.

Speaker 1 36:07

So that's it. Yeah, Okay, Thank you everybody for listening. Please rate, review and share, share, share. Give us five stars because we love our constellations, and please subscribe because we always ask you to no, no, it's just yeah, we support ourselves doing this and so anything people can help contribute to make it easier and Just to maintain the podcast yeah, maintain, and hopefully we always talk. We're trying to make strides and do some new, different things and it takes time and, unfortunately, money to do that.

Speaker 2 36:50

Yeah, we're not paid by corporate sponsors. We're nobody sponsoring us. We're not under some kind of entertainment company.

Speaker 1 36:58

We're our own thing yes, which in some ways is is good because we're free to do what we want, but sometimes it's like exactly.

Speaker 2 37:09

There has been some podcasts that have gone to like oh, we're under blah, blah blah, and then when, uh, you're hearing their newer episodes, you can tell they're kind of more stuffy, subdued, they sound more restrained of what they can say, or not, it that? Yeah, even you can hear the. The speakers are like walking on eggshells and I'm like wow that's not good.

Speaker 1 37:36

Yeah, you don't have the freedom to say what the freak like we do something exactly you know and or have the freedom to make mistakes right, yes, you know, because if you do make a mistake it's like, uh-uh, you need to re-record that.

Speaker 2 37:52

Take that out like you don't have your own freedom of speech.

Speaker 1 37:55

Exactly, and that's so. You know, we're human, it's, it's good, it's bad, it's just. You know, if we had corporate sponsors, we could do a few more things, but yeah, we'd be under some rules.

Speaker 2 38:08

Yeah, restrictions, regulations oh yeah all right thank you everybody for listening, until next time, bye, bye.